The three panels, coming from a single dismembered polyptych, on the basis of different stylistic analyses in the past were attributed to a southern polydoresque painter. Through careful comparative studies, it acquires a specific validity, the works will be attributed to Severo Ierace, when the results of the three panels coincide with the most characteristic results of his production. An artist active between 1531 and 1540 where his presence is reported both at the Abbey of Montecassino, and at that of Cava dei Tirreni.