The complex story that accompanied the study of the two panels has determined the opportunity to attribute the works to the painter from Vicenza Giovanni De Mio, active in Naples and the Salerno area. The artist is referred to as "a man of beautiful genius" by Palladio in the "Four Books of Architecture". Therefore, De Mio's southern path and the complex cultural components of his pictorial language confirm that the creation of the two panels took place in the final phase of his artistic activity.