The canvas reveals an original oval-shaped scheme, which leads one to believe it is part of a series of commemorative scenes of the Passion of Christ. The author uses a vigorous chiaroscuro emphasis in the rhythmic scansion involving the protagonists. The repetition of some typologies and draperies linked to a schematism of late sixteenth-century memory, the overall effect fits into the production of the Neapolitan area, especially for the brown tone that characterizes the complexions and the darkness of the clothes.